New product

RCK-527

    The RCK-527 features new features in classic opto-compression along with your choice of modern or vintage signal paths.
    Classic optoelectronic compression, upgraded signal path. The LA-2A and LA-3A are known for their unique music compression characteristics, but they do have some limitations. So we painstakingly recreated the more versatile RCK-527 compressor, bringing the workflow closer to that of the LA-2A and LA-3A while adding new features like a side-chain high-pass filter and parallel MIX control.
    RCK-527 uses our carefully designed output transformer, and then uses discrete components CLASS A amplifier module for amplification, making your sound full of modern clarity or retro tones.

  • Optoelectronic Compressor/Limiter
  • Compatible with all 500 series power supply chassis
  • 3 levels of compression ratio
  • 3 gear start time
  • Side chain optional high pass filter @100Hz
  • Input level +4dBu
  • Input impedance 20K
  • Maximum gain 35dB
  • Frequency response 20Hz-20KHz ±1dB
  • Total harmonic distortion≤0.1%
  • Hardware bypass

RCK-18

    In the world of professional recording, the EQP-1A is what you’ll want to hear. One of the most revered equalizers of all time, the all-tube EQP-1A is beloved by recording and mastering engineers for its almost magical ability to virtually Can improve the sound of any signal.

    RCKODLE The result of extensive research and development, the RCK-18 captures the essence of the EQP-1A, retaining the original EQ section design, control layout and beautifully smooth musicality. While restoring the original version, the transistor CLASS A amplification module makes the sound cleaner. No need to worry about the aging of electronic tubes.

    The RCK-18 has the same frequency settings and inductor, making it a product that accurately captures and shapes the sound spectrum, especially the bottom end. The high frequency band is attenuated at 4K, 8K, 12K, 16, and 20KHz; the bandwidth and boost can be changed at the mid-to-high frequency bands of 1K, 1.5K, 2K, 3K, 4K, 5K, 8K, 10K, 12K, 14K, and 16KHz; of course low Frequency bands can be boosted or attenuated at 20Hz, 30Hz, 60Hz, 100Hz, and 150Hz.

  • Based on the classic “Pultec” EQP-1A tube equalizer
  • Uses high quality output transformer from RCKODLE
  • Fully Discrete Signal Path, Class A Line Level Output Amplifier
  • XLR transformer balanced output
  • BOOST and CUT controls can be used at the same time
  • Low frequency enhancement 20, 30, 60, 100, 150Hz-15dB
  • Low frequency attenuation 20, 30, 60, 100, 150Hz-15dB
  • High frequency enhancement 1, 1.5, 2, 3, 4, 5, 8, 10, 12, 14, 16KHz-15dB
  • High frequency attenuation 4, 8, 12, 16, 20KHz-15dB
  • Input level +4dBu
  • Frequency response 20Hz-20KHz ±1dB
  • Total harmonic distortion≤0.1%
  • Hardware bypass

RCK-2176

    Unique to the RCK-2176 is its combination of microphone preamplifier and FET compressor circuitry. It features recognizable FET compressor controls for input and output gain and 2:1, 4:1, 10:1 and 20:1 compression ratio options.

    The RCK-2176 mic preamp helps bring depth and clarity to your audio at the front end, while the FET compressor is used to manage peaks, adding control and thickness to the signal. Drums, bass, vocals, and synths are truly something you can combine with the RCK-2176.

  • Uses quality input and output transformers from RCKODLE
  • With 68DB gain
  • Designed using completely discrete components
  • 48V phantom power
  • The VU meter indicates the amount of gain and compression
  • Frequency response 20Hz-20KHz ±1dB
  • Total harmonic distortion≤0.3%
  • Power input AC24V
  • Product specifications: 220mm×180mm×44.5mm